Transcript
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[music]
It was on the eve of last Passover. A
man was shopping at an Israeli
supermarket right before [music]
Passover. Very busy, very hectic. He
bought what he needed to buy and he
[music] went outside to unload
everything into his car. And then he
notices a huge dent in the door [music]
of his car. He was obviously very upset.
What happened? And then to his surprise,
he notices there was a note on the
windshield. He opens the note and this
is what it says. I am so sorry. I dented
your [music] car by accident. Here is my
telephone number. Please call me and
I'll pay whatever it costs to fix. An
[music] honest man. He calls the number
and the man apologized profusely [music]
for hitting his car by accident as he
was going out of the parking lot. After
offering to pay for the damages, the
caller [music] asks him a very strange
question. Do you have the money to pay
me for the damage you caused to the car?
The person was confused and surprised by
the question. Why are you asking me if I
have the money?
And the caller says, I'll tell you the
truth. I noticed that the note you have
left on my car was on your bank
statement and when I looked at your bank
statement, I [music] saw that your
account is empty.
He tells [music] the man, he says, "So,
let me tell you what I did. I just wired
$3,600
to your account.
Happy holidays."
The minora, the sevenbranched candalabra
that stood in the holy temple in the
beta mikdash was almost impossible
to craft because the Torah says that it
needed to be hammered [music] out of a
single block of gold. Mik Zohov, not
made of composite [music] pieces and
then welded together. Now you need to
understand the minora was a deeply
complex and intricately designed
article. flowers, goblets, [music]
branches, knobs. To hammer this out from
a single ingot [music] of gold was
nearly impossible. Why then did the
Torah not allow craftsmen to construct
the [music] minora from separate pieces
of metal and then you weld them
together?
The answer is profoundly [music]
relevant. You see the minora in the
temple had seven branches, seven lamps,
seven flames, [music] not one big branch
with a massive torch inside of it. Why
seven? The answer is the manora
represented the entire nation of the
Jewish people. And each of us has a
unique flame and light that we cast
[music] on ourselves and on our
environment in the world. The seven
physical [music] flames kindled each
evening in the holy temple were
reflective of seven distinct and unique
spiritual flames [music] kindled by
every soul, by every life.
Being different is the one thing we have
[music] in common. And yet the Torah
says that all the flames ought to be
facing the center [music] of the manora.
There is unity among them all. They are
not only branches of one manora but the
very flames are facing [music] in the
same direction. They're telling a
singular story. But that seems
contradictory. How can that be? How can
I be both an individual loyal to my true
authentic [music]
essence and individuality and so deeply
connected to others? How can you be so
deeply attached with authenticity and
yet truly loyal to your individual
self-expression? [music]
It's because the manura was hammered out
of a single slab of [music] gold. If we
were made of distinct entities,
individuality and cohesion would
undermine each other. [music]
But since we are really Misha, our
distinctions all originate in the
oneness of Hashem who is one infinite
and all-inclusive. Even as we are
hammered out [music] into distinct
branches and lamps, we can unite
authentically and deeply. It's like in
[music] a successful marriage. Wives and
husbands don't need to be similar and
identical to enjoy a blissful
relationship. When we discover our
innate soul oneness and trust, our
differences don't undermine safety
[music] and connection. On the contrary,
they become such rich expressions of an
underlying oneness.
>> [music]
>> This is what a nation that is inherently
one looks like. He didn't send the money
out of duty, guilt, shame, or to get
something in return. [music] It was an
expression of his essence in a very deep
place in his soul. He knew that he was
connected with his fellow Jew and he
just wanted to help him.
Since in my most authentic being I am
part of infinity
and in your most authentic being you are
part of infinity. Even as we emerge as
such different people with different
perspectives, different characteristics,
we can truly connect. [music]
I shine my flame, you shine your flame,
but we're telling [music] the same
story. To love a person is to learn the
song that is in [music] their heart and
to sing it back to them when they have
forgotten it.
Happy Kaneka.